The Week in Art

We explore the Serpentine Galleries’ new report into Future Art Ecosystems: with existing art industry models under threat, can new ones emerge in the post-coronavirus era? We talk to Ben Vickers, the Serpentine Galleries’ chief technology officer, about art and advanced technologies. As his BBC radio series Great Gallery Tours continues, we hear from a Simon Schama, who is marooned in Trump’s America yet yearns for a sunlit morning on the Thames in London: his choice for our Work of the Week is J.M.W. Turner’s Mortlake Terrace: Early Summer Morning in the Frick in New York. And as unemployment in the US surges past Great Depression-era levels, we look at a historic cultural programme that may have pointers for this moment: the Comprehensive Employment and Training Act or CETA, a response to the economic crisis of the 1970s.

Links:

The Art Newspaper: theartnewspaper.com

The Serpentine Galleries' Future Art Ecosystems report: https://www.serpentinegalleries.org/whats-on/future-art-ecosystems/

Simon Schama's BBC radio series Great Gallery Tours: https://www.bbc.co.uk/programmes/m000kw4t

Turner's Mortlake Terrace: Early Summer Morning: https://collections.frick.org/objects/267/mortlake-terrace-early-summer-morning

CETA: ceta-arts.com

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