89 EpisodesProduced by Matt Price

Hey it's Matt Price the London Sound Mixer from and this is all about my journey as a Location Sound professional in film and branded content and opening up a broader conversation about location sound from the business aspects to technical explanations.

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Ive created 699 videos... Lets reflect

March 18th, 2019


In the last 365 days my youtube made more daily than the bottom 10.9% of the world population.

Self Esteem and confidence

March 8th, 2019


Making yourself accountable for your wins and losses is a key part in owning and controlling your destiny

How I Wake Myself Up After My Alarm

February 21st, 2019


I dont have a routine for any of ky work unoess its features where ots 30 days of the same thing 6 days a week. So these are tips to get up and feel awake too!

My relationship with directors and 1st ADs

February 13th, 2019


This is all about the relationship of when and what I talk about with dorectora and forst ADs to keep getting what I need

How To Get Film Work Through Instragram

February 11th, 2019


This strategy also works for other social sites with search functions :) like twitter.

Speed of execution is Key

February 9th, 2019


If you want to be successful quicker than speed is more important than almost anything else.

How The Slateless System On House Of Cards Worked

February 8th, 2019


This is from my chat with Mark Weingarten about his work on House of Cards. They Used a slateless system and lots of metadata :)

Does Mark Weingarten Always Mic Actors?

February 8th, 2019


This is an extract from a chat i did with Mark Weingarten who has worked on epics like Insterstellar and if he always mics actors just to be safe?

Overtime + Unsafe Hours

February 8th, 2019


Jeff wexler and his dad had a big impacton our industry and especially Jeffs dad with championing safer hours and turnaround times in an industry that wants you to never sleep.

Benefits of Feeding Audio + Timecode to Camera

February 8th, 2019


This is a question I got nearly a year ago from one of my live youtube hangouts on why I was feeding both audio and timecode for sync to a Camera

Cueing Actors With Clicks + Claps vs Vocal Cues

February 8th, 2019


Directors often want to cue actors while a scene is going on and encouraging them to click and clap is much easier to edit.

What I Do For Track Naming And Metadata

February 8th, 2019


This is abkut keeping my audio rushes orgnaised in a way that the editors can find relevant extras as needed and what mic is what, even if its just to triple check.

How Simon Hayes Deals With Hollywood Fx Like Rain and Wind Machines

February 8th, 2019


This is from a lengthy sound chat with Simon Hayes and covers a part about special large scale hollywood FX like Rain Machines and Wind when it comes …

What Is Film Carnet? Shooting In Other Countries

February 8th, 2019


This is from my experience doing Carnet for doing part of a feature film in Morocco and Spain last year

How Wayne Developed His Style Of Post Sound

February 8th, 2019


This is an extract about an intangible art of developing a style with your post production projects when they are so different. Like Wayne with movies like The Great Gatsby and Mad Max

Why Dialogue Is King in Animation for Wayne Pashley

February 8th, 2019


This is from a few years ago with Wayne Pashley and he gives me a glimpse into the raw performance of dialogue to change and bring characters to life

Why The Great Gatsby Movie had over 5,000 ADR lines

February 8th, 2019


This is from my sound chat with Wayne Pashley a few years ago now about his post work on the Great Gatsby with Leoardo De Caprio

Sending The Correct Audio Level When You Dont Trust The Camera Meters

February 8th, 2019


Here is a little trick you can do if you need to triple check the audio level on a camera where the meters arent accurate

My Approach To Backing Up Sound Rushes

February 7th, 2019


This showcases the various ways i treat back ups for projects and when i decide to delete them

Timecode vs Genlock vs Wordclock

February 7th, 2019


Find more at my free course at and i cover my knowledge so far of genlock, timecode and wordclock and exploring the …

Should You Get The Sound Devices 633 As Your First Mixer?

February 7th, 2019


This os from a question from my live youtube hangouts and i go into deeper detail on my thoughts around having such a solid mixer as your first one

When Do I Record Ambient Sound In Mono or Stereo?

February 7th, 2019


Answering in more detail the question from my recent youtube live Q+A session on what ambience do i record and is it in mono or stereo and if so which configuration

Balancing commercial work with lower budget narrative work

February 7th, 2019


This is my thoughts on low budget narrative work vs commercial work to get into that line of work.

Using Carpets and blankets on set

February 7th, 2019


Hey everyone matt from, today answering a question on using carpets and blankets as acoustic treatment for rooms when im on location

My experiences doing both location and post sound

February 5th, 2019


This is the love hate of doing both location and post prosuction sound for a project

The Sound I Hate Recording The Most

February 3rd, 2019


This is usually around a dinner table and when the mic is bang on point it goes straight through me haha can you tell what it is yet? Get in touch with your worse sound and ill make a blog post about it. Instagram …

Q+A: How to promote yourself as a sound mixer

February 3rd, 2019


Thisbis where I give you an overview as to where to get started in promoting yourself so yoy get more work and can help bring more value to other people

Q+A: The director is taking over takes

February 3rd, 2019


This is a question i get alot over the years and so i give my 2 cents on why it shouldn't stress you out

Slating / Clapperboard Q+A

February 3rd, 2019


I answer and clarify loads of common questions about slating for different scenarios like end board to series

Wireless Blocks Explained

July 9th, 2018


This is about how the different wireless companies have different codes for blocks of frequencies and also how you can translate them.

Pre Fade Vs Post Fade and when I use them

July 8th, 2018


This is all about me using either pre fade or post fade and when I use them.

Peak Vs VU Metering and Why I Use Both

July 8th, 2018


This is why I use both peak and VU metering when I am sound recording to give me the best representation of the level of the sound overall.

How Instagram TV is a very big move

June 25th, 2018


This is an overview of how Instagram TV plays into the whole Instagram ecosystem of content production and how you should get on board now before it …

Freelancing is not a zero sum game

April 21st, 2018


This is all about why me putting out content and helping others doesn't hurt me. Your wins are not my losses.

NAB 2018 Recap

April 17th, 2018


Latest episode of

Rob Nokes | Mechanics Role In Car Recording Sessions

March 31st, 2018


This is from my Sound Chat with Rob Nokes about the role of car mechanics in recording sessions.

Rob Nokes | Why Rob Started

March 30th, 2018


This is how Rob Nokes started back in the late 90s as the first online sound effects library of its scale.

Rob Nokes | Sound Recording Planes SFX

March 29th, 2018


This is how Rob Nokes goes about recording plane sound FX.

Rob Nokes | SFX Recording Dos Don't

March 28th, 2018


This is from my Sound Chat with Rob Nokes and about general advice for a great SFX recording session.

Rob Nokes | SFX Recording Mics

March 27th, 2018


This is some of the mic that Rob Nokes from uses for his recording sessions from cars to animals.

Rob Nokes | Most Memorable SFX

March 26th, 2018


This is Rob Nokes from SFX Libraries and one of his most memorable sound effects recording sessions.

Rob Nokes | Recording Level For Ambient Sound FX Libraries

March 25th, 2018


This is about the right levels for recording ambiences to then be able to mix better when mastering.

Rob Nokes | Recording Cars To Their Limit And Sweeteners

March 24th, 2018


This is from my Sound chat with Rob Nokes about recording cars to the extreme and sweeteners to make the cars sound even better.

Rob Nokes | Recording Animals and Racetracks

March 24th, 2018


This is from Rob Nokes Sound Chat about recording at racetracks when Rob was younger and other aimal sounds

Rob Nokes | Preparation for a car SFX Recording Session

March 23rd, 2018


This is from my with rob nokes who is a sound effects recordist and mixer. This one is about preparation for a car SFX recording session.

Need for Impulse Responses in SFX recording | Rob Nokes

March 22nd, 2018


I asked Rob if he has ever needed to use an impulse response when he is recording in a unique location.

Most Common Sound FX Requests | Rob Nokes

March 21st, 2018


I chat to Rob about what he gets asked to record the most.

Rob Nokes - The Importance Of Location Scouting For SFX Recording

March 12th, 2018


I speak to Rob Nokes about The Importance Of Location Scouting For SFX Recording. This is something often over looked.

Rob Nokes - SFX recording with Hydrophone Microphones

March 11th, 2018


This is from my sound chat with Rob Nokes about recording SFX with the Hydrophone

Rob Nokes - Is there any formula for sound effect recording success?

March 11th, 2018


This is from my chat with Rob Nokes, sound effects recordist and mixer and we chat about if there is any general successful approach to recording …

Rob Nokes - Teaching External Recordists In Foreign Countries

March 10th, 2018


Rob Nokes - Teaching External Recordists In Forign Countries

Rob Nokes - Dealing With Heat When Recording Cars

March 10th, 2018


This is from a chat with Rob Nokes from

Rob Nokes - Car Rigs and drafting to avoid wind on mics

March 9th, 2018


This is with sound effects recordist Rob Nokes. This is for tips on avoiding wind on your mics when recording cars.

Rob Nokes - Car Rig Track Count

March 9th, 2018


Rob Nokes is an SFX sound recordist and describes his typical track count for recording cars.

Work Going Away And New Mixers Filling Gaps From Production

March 8th, 2018


This is from my chat with Jeff on tax rebates moving work in the US

Bringing More Respect Back To The Sound Department

March 8th, 2018


This is an interesting chat about the slow loss of respect between many departments and how we can bring it back.

Keeping A Hand In Post and FX not helping performance

March 7th, 2018


This is from my Chat with Jeff Wexler about how he keeps in the loop with post production practices to help him better understand post production.

Jeff Wexler on moving into other sectors | Even the guy in Craft services Is making movies.

March 7th, 2018


This is what Jeff Wexler would do if he wanted to move on from location sound.

Work Life Balance In Film

March 6th, 2018


This is what Jeff Wexler views his work life balance and how his passion is his work.

Overtime And Long Unsafe Hours Kill Crew Members

March 6th, 2018


I chat to Jeff Wexler about how Overtime became so common on crew shoots and how it's killing some of us literally...

Distribution and its effect on the industry

March 5th, 2018


This is from my chat with Jeff Wexler about the industry shifting through with new distribution models, but how new ones like HBO back in the day causing weaker contracts going forward.

The Business Of Show Business

March 5th, 2018


This is from Jeff Wexler on how the business of show business really began and interesting facts about the first studios setting up as really just side businesses from some.

Why Fast Shooting Is The Norm

March 4th, 2018


more from Jeff on Why Fast Shooting Is The Norm...

Why We Will Always Need Some Form Of Mix Track

March 4th, 2018


This is from a chat with Jeff Wexler and a trend he started to see where location sound mixers where just handing in ISO tracks without a mix track and why this is bad practice.

Multitracking Is great but you still need a mix track

March 3rd, 2018


From a chat with Jeff Wexler about how advancements have meant multitrack recording is a norm but you still need to deliver some sort of mix on …

Why Jeff Wexler loves Schoeps mics

March 3rd, 2018


Why Jeff Wexler loves Schoeps mics when hyper cardioids where starting to cross over from music recording to location film sound recording.

How Jeff Wexler Prepares For A Film

March 2nd, 2018


This is from a chat with Jeff Wexler about how he does his script breakdowns and gets ready for what will be on set

Reasons For A Division Between Production and Post

March 2nd, 2018


This is from a chat with Jeff Wexler about reasons for some productions having a growing division between production sound and post production sound.

Embracing New Sound Tech And Techniques

March 1st, 2018


This is a chat with Jeff Wexler about how through advancements in technology are an asset if you understand the core techniques of capturing good …

Why Modern Crews No Less About Sound

March 1st, 2018


I chat to Jeff Wexler about why modern crews in general are less knowledgeable about sound let alone other departments seemingly not related to their own.

Zoom At BVE with New H1N and Zoom F1

February 28th, 2018


This is from when I was at BVE expo today in London and Zoom where there and so I asked about 2 new products the H1n and the F1.

How shooting coverage has changed in drama

February 28th, 2018


This is from a chat with Jeff Wexler on how shooting has changed when it comes to drama shoots.

Multi-camera Issues and being saved by VFX

February 28th, 2018


This is from a chat with Jeff Wexler on how the boom can still be used even in complex multi-camera situations by being painted out by the VFX …

How Sound Tech Advancements Brought New Issues

February 27th, 2018


I chat to Jeff Wexler on how the advancements in sound technology such as multitrack recording has brought new challenges as the rest of the industry …

Jeff Wexler on Change In Sound Technology

February 26th, 2018


This is what Jeff Wexler has seen from the changes in location sound recording technology since he started working in the mid 1970's. From mono …

Single Vs Dual Receivers

February 9th, 2018


This is all about the advantages of the dual receivers over single receivers for wireless. I sum up the main things to consider.

How To Build A New Network

February 9th, 2018


This is all about if you had to move to a new city, country or state then what is the best way to build a new network of clients to get back to doing what you love. Work!

New Show Segment Q+A Intro

February 9th, 2018


Soundrolling podcast is back and I am looking to go deep with answering your questions from call ins on the anchor app to help you record better …

2018 Is All About Comments.

December 16th, 2017


Taking things to the next level in terms of all metrics is through comments. This is the new true metric to meaningful interaction. Just like you …

First Why then What & How.

August 19th, 2017


This is all about rethinking where your strategy for business or freelancing come from. Are you just thinking of what to do next or how to get to the next level? If so you are missing the why.

Same Content Different Results

August 15th, 2017


This is all about taking a step back to take 2 steps forward with giving your audience the most access to your messages and content in environments and formats they are going to be the most receptive.

You Don't Own Ur Social Media

July 9th, 2017


You Don't Own Your Posts • Why You Need A Website • Easy strategy for content creation on multiple platforms • Now Over To You

Money = Value And Framing

July 7th, 2017


Today's Topic: Money = Value • What Is Money? • Hourly Wages Are Missleading • Why Minimum Wages Are Always Low • Figuring Out Your Worth • Conclusion and Over To You

The Illusion Of Job Security

July 5th, 2017


Welcome! • Today's Topic: The Security Illusion • Its A Trade Off • Perception and Consistent Strategy • The 3 Key Areas for Success

Freelancing: Why I Went All In

July 4th, 2017


Making the transition to a full-time freelancer • Today's Topic: Route into freelancing • All or nothing • Pressure Forms Diamonds • Action Over …

3 Areas For Business Success

July 3rd, 2017


I give a big picture view on the 3 key areas for ANY business success. From getting more clients, charging more and getting more repeat referral work. Don't forget to join me on Anchor for even more.

Why Build An Audience?

July 2nd, 2017


Awesome stuff! • Why Building An Audience Is The Ultimate Leverage • Not 15 minutes of fame but 15 People • Context Informing Content • Over to you

Leverage Being A Freelancer

July 1st, 2017


Today's Topic: Leverage • Why Leverage Is Important • Leverage In Biz relationships • What Are You Doing For Leverage?

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