back arrowView show

29-Linked in Lawrence, Part 2

Episode description Transcript Go to NotesLifeline | Links Notes

The Shane Studio, later the Thompson Studio, was run by members of the Shane family in Lawrence, Kansas.  The Kenneth Spencer Research Library at the University of Kansas has a collection of photos and other materials from the Shane/Thompson Studios.

J.B. Shane first opened a photo car in Lawrence, Kansas, circa 1879, later opening 2 permanent studios there.

J.B. Shane Photo Car (courtesy Spencer Library, KU, RH-PH-500:1.27)

James B. Shane and his wife, Missouri L. Shane, were both photographers; the branding on the studio is always “J.B. Shane”, regardless of the photographer.

Photo of James B. Shane (courtesy Spencer Library, KU, RH-PH-500:2.2) Photo of Missouri L. Shane (courtesy Spencer Library, KU, RH-PH-500:2.7) Lawrence Daily World, May 2, 1899


Photo by J.B. Shane studio. Shane (photo courtesy Spencer Library, KU, KU-RH-PH-500:3.34)

After James B. Shane is sent to prison for murder, his wife retires and their daughter takes over the studio.  Photographs that June takes are branded “Juno B. Shane”.

Photo by Juno B. Shane (photo courtesy Spencer Library, KU, KU-RH-PH-500:3.36)

In 1907, Juno B. Shane marries Herbert Thompson; she teaches him how to do photography, and together they continue to run the photography studio her parents started, which is now called the Thompson Studio.

Photo taken by the Thompson Studio Juno and Herbert Thompson (courtesy Spencer Library, KU, KU-RH-PH-500:3.37)

After Herbert Thompson dies in 1929, Juno tries to get her sister Myrtle to join her. However, Myrtle was a strong woman who had on many occasions stared down men with guns while working as a missionary in Turkey.  She found Juno’s offer to go and work for the Thompson studio for free an offer she could refuse, and although she did train to be a photographer, she apparently never actually worked as one.

Anyway, if you want to read more about Myrtle’s amazing experiences in Turkey, check out:

  • Devoted Ally of the Armenian People by Kathy Lafferty (KU blog post) – Read
  • The Tragedy in Bitlis by Grace H. Knapp – Download
  • Lone Sentinels in the Near East by Ethel Daniels Hubbard – Download

This photo of Myrtle is undated, but it taken at the Shane Studio in Lawrence:

Photo of Myrtle Shane (courtesy Spencer Library, KU, RH-PH-500:2.16)

Myrtle wasn’t a photographer like her sister Juno or her mother, but she was a fascinating women to discover when researching the Shane/Thompson studio.




Recommended Links
  • (census records, city directories, and more; paid account required – Visit
  • Family Search website has U.S. Federal Census and more; free account required – Visit
  • has a selection of digitized newspapers from the United States; paid account required – Visit
  • has a selection of digitized newspapers from the United States; paid account required – Visit
  • has a selection of digitized newspapers from the United States; paid account required – Visit
  • Kenneth Spencer Research Library at KU – Visit
  • Shane-Thompson Collection at the Spencer Research Library at KU- Visit
  • Devoted Ally of the Armenian People by Kathy Lafferty (KU blog post) – Read
  • The Tragedy in Bitlis by Grace H. Knapp – Download
  • Lone Sentinels in the Near East by Ethel Daniels Hubbard – Download

You’re listening to Photographs, Pistols, and Parasols.

Support for this project is provided by listeners like you. Visit my website at p3photographers “dot” net for ideas on how you, too, can become a supporter of the project.

Welcome to Photographs, Pistols & Parasols, the podcast where we celebrate early women artisan photographers.

I’m your host, Lee McIntyre.

In today’s episode we’ll meet another extraordinary family of photographers from Lawrence, Kansas. It’s a family whose life story includes some tales that are anything but ordinary.

For more information about any of the women discussed in today’s episode, visit my website at

That’s letter “p”, number “3”, photographers “dot” net.


In the last episode we were in Lawrence, Kansas.

When I left off we had just finished up with what I called the “DaLee Dynasty” of photographers: the father, A.G. DaLee, the mother, Martha DaLee, and their daughter, Eliza DaLee.

Ultimately that family, with Eliza’s subsequent marriages, continues to run photography studios in Lawrence, Kansas, starting in the 1860s, all the way until the 1930s.

A.G. DaLee, who established the first DaLee studio there in Lawrence, Kansas, died in 1879.

Around that time, another family of photographers was settling into Lawrence to operate a photography studio there.

It turns out that that family would be even more long-lived in Lawrence doing photography, because starting in 1879 — and all the way through to 1953 — there is at least one member of the Shane family running a studio in Lawrence, Kansas.

And that’s the family I want to talk about today.

In 1879, it all starts when Captain James B. Shane brings a photo car to settle in Lawrence, Kansas.

Captain Shane was originally from Kentucky.

He served during the Civil War with distinction, but he also lost his hearing — or pretty much lost most of his hearing — during the Civil War.

And that really derailed his original plan, which was to become a lawyer.

So instead of becoming a lawyer, he tried a number of business ventures before settling on photography in the late 1870s.

In 1878 he arrives in Lawrence, Kansas, and by 1879 he’s opened up photography photo car which he uses to travel around the area, bringing it back to Lawrence periodically.

By the mid 1880s, though, he’s actually settled down, opening up a photography studio on the main street in Lawrence (which is called Massachusetts street).

Now, J.B.Shane is the brand on that studio, but as he later described in his autobiography, his wife, Missouri [Shane], was also a photographer .

And indeed, by 1899 you can find in the paper advertisements that say J.B. Shane and Mrs M. L. Shane (that’s Missouri Shane).

Well, they are running studios there together in Lawrence, Kansas.

By 1899 they actually have two locations on Massachusetts street, one being run by J.B. Shane and the other being run by Missouri Shane.

The Shanes actually have 10 children, and some of their children become photographers as well.

A lot of their sons become photographers, but they move away from Lawrence, establishing photography studios elsewhere in the Midwest.

But one of their daughters, Juno Bell Shane — she actually becomes interested in photography.

She starts by helping out her parents.

But then in 1901 she goes off to Effingham, Illinois, where there’s the Illinois College of Photography.

The Illinois College of Photography has cropped up on this podcast before, because it turns out to be a very popular place around the turn of the century for people to go to learn the craft of running a photography studio.

So Juno Shane (again, she’s the the daughter of J.B. and Missouri Shane), she goes off to college in Illinois in 1901.

Now she doesn’t return to home to Lawrence immediately [after going to the school in Effingham].

Instead she goes off to get more experience, taking a job at a studio in Virginia.

But in 1902 Juno is summoned back to Lawrence to take over the family business there.


Well, something extraordinary has happened.

You see, in 1902 Captain Shane was closing up his shop one day, going to walk down the street to the other location where his wife was.

Now, as I said, Captain Shane had hearing loss after the Civil War, and as he got older, his personality got more crotchety, and his hearing probably got worse as well.

In any case, as he exited his shop, two young men were passing by, and they said something which he took offense to.

He thought they were insulting him or otherwise being rude.

And so, as he later described it, he had a pistol in his pocket, so he drew it out intending to fire into the air to scare them.

Unfortunately, his arm was jostled on a pole that was outside his studio, and what happened was he actually shot and killed one of the young men.

So he’s arrested and sent to prison for murder.

It’s at this moment when Juno comes back and takes over the studio.

Missouri doesn’t seem to continue to run her photography studio location; she instead goes and stays with relatives.

Obviously [this incident] is quite the talk of the town and a very tragic time for the Shanes.

So Juno takes over, and her brothers don’t come back; Juno was on her own there running the studio.

Her mother unfortunately dies [in 1906] while [J.B. Shane] is in prison.

So in 1906, Juno is really left on her own there in Lawrence.

But she meets a man named Herbert Thompson.

And in 1907 Juno teaches Herbert Thompson how to do photography, and they wind up getting married, the studio gets re-branded as the Thompson studio.

… Now just to finish off the story of Captain Shane…

His children really supported their father; they really felt that he hadn’t intended to kill that young man, [and that] it had been a terrible accident.

So they appeal to the governor, and finally, after ten years, their appeals are granted, and J.B. Shane is sent home.

His health is very poor, so essentially he is sent home to die.

But that’s where his story leads – a tragic ending for Captain Shane, who was one of the early photographers there in Lawrence.

But his daughter, Juno, and her husband, Herbert, continue running the Thompson studio very successfully.

Now this is, I should emphasize, an artisan studio that Captain Shane had started and, with his wife, Missouri, had continued to run, and Juno, of course, is running with her husband.

By artisan studio, of course, I that means she’s taking pictures of people; taking pictures of babies; taking portraits of men and women and couples; taking pictures of things in town; doing everything that an artisan photographer would do.

Things continue very successfully.

Juno and Herbert are running the studio; [they are] taking out ads and really having success there in Lawrence.

But unfortunately Herbert takes ill and dies in 1929.

At that point, Juno was looking for somebody to help out with the studio.

She’s really got too much to do all our own and at that moment, it turns out that her sister Myrtle, who has not up to that point been a photographer, is actually looking for something to do.

Now before I talk a little about Myrtle and Juno and their relationship in 1929, let me just tell you a little bit about Myrtle Shane.

Myrtle Shane is a fascinating woman.

I mean, she must have been so strong, because she actually wound up in the middle of a terrible situation in 1915, and then later again in 1919 and the early 1920.

Because, you see, Myrtle — she wasn’t a photographer at that point —  but she’d been a teacher turned missionary.

And so, around 1913, she goes to Turkey where she’s teaching school to the Armenian community living in Turkey.

After the war broke out, Turkey sided with Germany, and the Armenian Christians [living in Turkey] were seen as potentially siding with Russia, who fought against Germany in World War I.

So they [the Armenian Christians] became the focus of a lot of atrocities, particularly in 1915, in what’s known as the Armenian genocide in Turkey, [when] Armenians were being slaughtered in the streets — literally.

Myrtle Shane refused to leave the people that she had become friendly with and that she’d been teaching.

And indeed, in the school and the related hospital, she and some of the other female missionaries actually took in the refugees and tried to protect the women and children who were seeking shelter there.

There’s a story about Myrtle Shane facing down invaders into the school who wanted to pull out the women and children to kill them.

And Myrtle Shane is facing down these men with guns; she is unarmed, but she is refusing to let them leave with the women and children, using arguments to persuade them that, you know, they are they are there in peace.

America at this point was not part of the war and so she successfully defends the women and children in her care.

Now unfortunately, once America does enter the war a couple of years later, Myrtle is forced with the other American missionaries to leave.

She comes back to the states, and she embarks on a lecture tour, talking about the atrocities and things that she has witnessed, trying to drum up interest in the fate of these Armenians in Turkey.

After the end of World War I, she applies and goes back to Turkey.

And when the same thing starts happening again, she actually refuses to leave the country.

Now, [at this point] she’s ordered to leave by the charity she’s working for.

But she doesn’t want to leave, so she resigns from the charity and stays and protects the women and children who have sought shelter in her school.

Myrtle’s story would make a fascinating movie, because it just is mind-blowing how much adversity and how much adventure [she lived through] and how much strength of character Myrtle Shane had.

By 1929 she’s actually has left her missionary work and come back to the states.

And it’s at that point, after Herbert Thompson dies, that Juno writes to her sister.

Her sister is looking for something to do, and Juno says, Well, I’ve heard that you might want to become a photographer, so why don’t you come work for me? You can work for me for free; I’ll give you room and board and a clothing allowance, but you know I can’t pay anything. So, you know, you want to come do that?

Now Myrtle — again this is as woman who has faced down men with guns! — Myrtle writes back to her sister and says, Well, you know, that’s a very generous offer, of course… But, you know, I was also thinking of maybe going where you went to learn photography, the Illinois College of Photography in Effingham.

So, I’m going to weigh my options, and I’ll get back to you.

So a couple of months later there’s a letter from Myrtle to Juno, saying, Dear Juno, as you can see by the return address of this letter, you will understand what my decision was.

And the return address was Effingham, Illinois.

Myrtle [therefore] was not taking Juno’s offer of “come work for me for free.”

Instead, she was actually going off and studying photography on her own.

Now unfortunately for Myrtle and her ambitions to become a photographer, it looks like she had some trouble getting a job.

In the early 1930s: that was a really bad time to be looking for work as a photographer, because studios were shutting down, not opening up.

So Myrtle actually becomes a teacher again in the United States.

She had been a very successful teacher in Kansas, to the point where they had actually offered her a lifetime contract.

Now this was [practically] unheard of back in the early 20th century.

In Kansas, at least, teachers [at that time] would have to get their contracts renewed each year.

But myrtle was so good and so well-respected she was offered a lifetime contract if she would just come back to Kansas to teach.

There’s no evidence that Myrtle actually ever really successfully pursued a career in photography, even though there is this exchange [of letters] with Juno and evidence that she [Myrtle] did study photography around 1929-1930.

[As for] Juno, even though she doesn’t get her sister to come work for free does some how figure out how to keep that studio running.

And so the Thompson studio, which again had been originally the Shane studio, it continues to run until Juno’s death in 1953.

As I said at the beginning, Juno winds up running that studio there in Lawrence Kansas for over fifty years, by far one of the longest stretches that I’ve found for a woman running her own studio.

Before I end today, I want to really thank all the people at the Kenneth Spencer Research Library at the University of Kansas Libraries, particularly Beth Whittaker and Kathy Lafferty.

Really, special thanks to Kathy in particular, because she was the one who pointed me to the Shane-Thompson collection at the Spencer Research Library there at the University of Kansas.

Kathy also has worked a lot with that collection, and she has a finding aid that includes a little biography of Captain Shane that I’ve drawn upon heavily for this podcast.

Also a couple of years ago Kathy wrote a blog post about Myrtle, and that really pointed to me in the direction of a lot of information about Myrtle Shane.

So again, special thanks to Kathy Lafferty for all of her help with this podcast information [for this episode].

I should note that I discovered the correspondence between Myrtle and Juno Shane while digging around in the material at the Shane-Thompson archive, and that added a nice postscript to Kathy’s blog post about Myrtle Shane and her exploits during World War I.

I’ll put a link to some of the materials in the Shane-Thompson archive there at KU on my website at

That’s letter ‘P’ number ‘3’ photographers dot net.

If you ever have a chance to go to the University of Kansas and check out this archive in person, you will find some amazing material: wonderful images from the Shane/Thompson studio, but also some more materials, including letters and bills of lading and other materials like that.

And also the archive had a special treat.

As it turns out, there’s a photo of J.B. Shane standing with his photo car.

I love that, because it gives us a real sense of what these photos cars would have looked like.

So I will include a copy of that in the episode notes as well.

If you have any questions about any of the material I covered today, remember you can always drop me a line at podcast “at”

Or, you can also follow me on Facebook at

In Season 3 the theme is all about connections.

As we’ve seen, in Lawrence, Kansas it turns out there a lot of connections between women photographers and these families whose lives are crisscrossing [while] running studios simultaneously there in Lawrence.

But there’s even more than the two I have already talked about.

For example, in the 1919 Lawrence city directory, we find a list of 5 photography studios, 4 of which are run by women.

Now, we’ve already met two of them: Mrs Eliza DaLee Willis Squires Fey (that’s from Episode 26) and, of course, today, Juno Shane Thompson.

But that’s only 2 of the 4 [studios] there that were being run by women in 1919.

So next time, in Part 3 of our focus on Lawrence, Kansas, we’re going to meet the other two women who were running those studios in Lawrence in 1919.

Their stories, and their struggles as women running studios in Lawrence, are equally as compelling as those of Mrs Thompson and Mrs Squires Faye.

So I hope you’ll join me.

But that’s it for today.

Until next time, I’m Lee McIntyre and this is Photographs, Pistols & Parasols.

episodes iconMore Episodes

36 – Marriage, Music, and Mortality

March 15th, 2019

21:55 Transcript Go to Notes | Links Notes

Here’s a cabinet card produced by the Porter Studio in Ritzville, Washington:

Cabinet Card by the Porter Studio in …

35x- Episode Delayed

March 1st, 2019


Episode Transcript:

Hi everybody,

Unfortunately, due to a family emergency last month, the March 1st episode has been delayed.

Look for the next episode …

34-Life, Death, and Lawsuits

February 15th, 2019

27:49 Transcript Go to Notes | Links Notes

Here’s the photo that my husband, Chris, ran across for the Halvorsen studio in Ballard, Washington (before it got …

33 – Fun Finding Belle

February 1st, 2019


32-Narrative Nuances

January 15th, 2019

20:59 Transcript Go to Notes | Links Notes


Here are some links to panels and the presentation I gave at the American Historical Association Annual Conference on …

31-Traveling and Photo Cars

January 1st, 2019

7:59 Transcript Go to Notes | Links Notes

Photo by the Vreeland Rail-Road Palace Photo Car
(For more on Mrs. Vreeland, refer back to Episode 21 )

Undated …

30-A Trail Leads to Brooklyn

December 15th, 2018


28x – Next episode coming December 1st!

October 1st, 2018

2:45 Transcript Go to Notes | Links Notes

Due to continuing logistical issues related to moving to a new state and settling down, the rest of Season 3 will …

27x-Next episode coming October 1st

August 1st, 2018

1:16 Transcript Go to Notes | Links Notes

Due to unforeseen logistical issues related to a move, the rest of Season 3 will unfortunately be delayed until …

26-Linked in Lawrence, Part 1

July 15th, 2018


In today's episode, our connections take us to Lawrence, Kansas, where we will encounter mystery, tragedy, and a photographic dynasty.

25-Colorado Connections

July 1st, 2018


In today's start to Season Three, we'll meet several early women photographers in Colorado and learn how their lives and careers connect them not …

24-Serendipitous Silver (Snodgrass Part 2)

June 15th, 2018


In today's episode we'll learn more about Mary and Margaret Snodgrass, the two Snodgrass sisters who ran the Snodgrass Picture Shop in Caldwell, Idaho from 1919 - 1939.

23-Fate and Photography (Snodgrass Part 1)

June 1st, 2018


In today's episode we'll meet Mary Snodgrass, a woman who ran photography studios in the early 1900s in both Iowa and Idaho, partnering at first with her brother, and then later with each of her two sisters.

22-On the trail of Belle B. Chase

May 15th, 2018


In today's episode we're following in the footsteps of early artisan photographer Belle B. Chase, as her 50+ year career takes her across the U.S. …

21-The Extraordinary Mrs. Vreeland

May 1st, 2018


In today's episode we're going to meet Rosa Vreeland, the "more than ordinarily successful" early artisan photographer and photographic entrepreneur.

20-The Women of Blue Rapids, Part Two

April 15th, 2018


Today we're back in Blue Rapids, Kansas with photographer (Edith) Daisy Roche, her sister Emma, and a number of their fellow photographers circa 1903-1950s.

19-The Women of Blue Rapids, Part One

April 1st, 2018


Today we explore the life stories of some of the 18(!) women photographers who were active as professional photographers in the tiny town of Blue Rapids, Kansas as early as 1893.

18 – Iva Roach and the Rambling Man

March 15th, 2018


Today we have a tale of a successful photographer whose story unexpectedly involves a bit of larceny and deceit through her encounter with a mystery …

17x – The People You Meet

March 7th, 2018


Today we'll encounter misfortune, mystery, and a dash of serendipity as we learn more about some of the people mentioned in passing in the Eva B. Strayer episode.

17 – The Peripatetic Miss Eva B. Strayer

March 1st, 2018


In today's episode we travel to meet Miss Eva B. Strayer, a photographer who was (mostly) based in Huntington, Indiana.

16 – Early Woman Photographers from Lowell

February 15th, 2018


In today's episode we take quick look at more early women photographers from Lowell, MA, and explore how those women's experiences are a microcosm …

15 – Miss C Smith, Photographer

February 1st, 2018


In today's episode we dive into the records to uncover the story of a highly prolific photographer from Lowell, Massachusetts, who identified herself …

14-Extra The Mystery of John Swan

January 22nd, 2018


In this episode we take a quick look at an unusual story about one of Miss Libby's fellow photographers in Norway, Maine.

14 The Unforgettable Miss Minnie Libby

January 15th, 2018


In this episode we'll travel to Maine to follow the trail to the wonderful early artisan photographer Miss Minnie Libby.

13 The Mary Winslow Enigma

January 1st, 2018


In this episode we take a look at the peripatetic Mary Winslow, an intrepid itinerant photographer who "always goes where she pleases."

12 Followups and Updates: Part 2

December 15th, 2017


In this episode, we get a special bonus update that solves the mystery of George Ober, the first husband of the early photographer Clara Ober-Towne. …

11 Followups and Updates: Part 1

December 1st, 2017


In this first episode of Season 2, we'll take a look back at a few of the women profiled in Season 1, to discover some exciting new details about them that came to light during my research travels over the past few …

10 Season Two starts December 1st

November 1st, 2017


Tune in December 1st for the start of Season Two on the Photographs, Pistols & Parasols podcast!

09 A Tribute to Peter Palmquist

October 15th, 2017


In today's Season One extra, we take a moment to celebrate the accomplishments of a man who uncovered information on thousands of early women photographers: the incomparable Peter E. Palmquist.

08 A Sensible Woman

October 1st, 2017


Today we meet the remarkable Elizabeth Withington, who in the 1800s found success as a photographer while fashioning photographic tools from 19th …

07 A Tale of Two Townes

September 15th, 2017


In today's episode we meet two 19th century Massachusetts photographers named Mrs. Towne: Clara Ober-Towne and Anna Wing Towne. Plus, we'll also discover a Miss Alma Whitney, another woman photographer who plays a …

06 Meet the McKellips

September 1st, 2017


In today's episode we meet two photographers who are another set of sisters running studios together at a variety of times and places in the early 20th century.

05 The Adventures of the Misses O’Donnell

August 15th, 2017


In today's episode we meet not one woman named Miss O'Donnell, but two: sisters who together ran the Misses O'Donnell studio in Beloit, Kansas at the turn of the 19th-20th centuries.

04 Slightly Surreal World of Hannah Maynard

August 1st, 2017


Today we meet Hannah Maynard, the 19th century photographer who opened her studio in 1862 and embraced a remarkable life as a professional photographer over the next 50 years.

03 Finding Miss DeM. Brown

July 15th, 2017


In this episode of the Photographs, Pistols & Parasols podcast, we are on the hunt to answer the question: Who was the photographer 'Miss DeM. …

02 The $100 Photo

July 1st, 2017


In today's episode we'll meet a photographer named Gertrude Käsebier, and get a quick introduction to Pictorialism in order to understand the importance of a $100 photo.

01 Welcome to the podcast

June 15th, 2017


A brief introduction to the first season of the Photographs, Pistols and Parasols podcast. The podcast celebrates the accomplishments and élan of …

Loading ...

Download the RadioPublic app for
 FREE and never miss an episode.

Get it on Google PlayDownload on the App Store