This practice with Jardana Peacock and Kelly Germaine-Strickland leads you through ancestral healing work that is focused on white ancestry, but can be used by anyone. It involves meditation and writing… you need a place where you can be still, and paper and pen to write with.
Download the corresponding conversation (episode 14) entitled “Ancestral Healing for Anti-Racist White Folks” to hear Kelly & Jardana talk about white ancestral healing as anti-racist practice, faith and spirituality, white fragility, the complexity of ancestry and white supremacy, and why white people gotta love each other to fully be in the fight for racial justice.
ABOUT OUR GUESTS: JARDANA PEACOCK & KELLY GERMAINE-STRICKLAND
Jardana Peacock is a southern-based writer, spiritual teacher, and a healer. She is the director of Liberation School, a school for changemakers working to center healing and spirituality in movements. She has worked with thousands of changemakers and organizations globally to address trauma through an anti-oppression lens. Stay connected.
Kelly Germaine Strickland is a trauma therapist and plant-based healer based in Cincinnati, Ohio. She works with change-makers and institutions to heal from and dismantle systems of oppression.
To work further with Jardana and Kelly, check out their online course beginning Feb 20 called Practice Showing Up: Anti-Racist Spirituality for White People.
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We also have a NEW FEATURE on the podcast: AFFIRMATIONS
We are hosting a new segment each week in our conversation episode that is a time for us to feature community voices and words; to uplift people, organizations, and communities that are embodying the values of healing justice. For a $35 donation, you can submit your own personal shout-out to spread love on the airwaves! If you want to submit a community-love affirmation to be played in a future episode, CLICK HERE TO SUBMIT YOUR AFFIRMATION https://healingjustice.typeform.com/to/YjvuU2
Mixed and produced by Zach Meyer at the COALROOM
Intro and Closing music gifted by Danny O’Brien
All visuals contributed by Josiah Werning
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