Cover art for podcast I SEE U with Eddie Robinson

I SEE U with Eddie Robinson

126 EpisodesProduced by Houston Public MediaWebsite

I SEE U is a unique new program that gives voice to those who have often been unheard. Hosted by Houston Public Media’s Eddie Robinson, I SEE U explores cultural identity through the stories of people and places that have been transformed by the effects of long-standing biases. Eddie guides fascinat… read more


96: Beyoncé, Send Us a Revival with New York Times Business Reporter Jordyn Holman & Cultural Historian Harrison Guy

The Renaissance World Tour is an energetic, visual, two-and-a-half-hour musical journey, showcasing the latest album of award-winning singer-songwriter, Beyoncé. The event has broken ticket sales records worldwide with each performance stimulating regional economies along the way. Running almost parallel with Beyoncé’s tour is pop singer Taylor Swift’s Eras Tour, which pays homage to her own musical career and has also garnered unprecedented success in ticket sales and global economic impact. But with the Renaissance tour, Bey’s performances speak more to notions of identity and race, where past and present traumas of being Black, being gay and being unnoticed are transformed into a cultural vibe that embodies inspiration, freedom of expression, purpose and personal empowerment. Join us as host Eddie Robinson pays tribute to the Houston native and chats candidly with New York Times business reporter, Jordyn Holman, along with Harrison Guy, founder of Urban Souls Dance Company. Holman shares her insight into why there’s an interest in comparing these two female trailblazers in pop culture. Guy, who’s also an acclaimed choreographer, offers up perspective into the person who inspired the energy behind the Renaissance album—Uncle Johnny, a gay man who helped raise Beyoncé and her sister Solange as young girls but died from complications related to HIV. Legendary Houston DJ Tony Powell also makes an I SEE U appearance to share historical color and context to a vibrant, liberating vintage Bayou City that existed within the Black queer community.

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