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Breaking Bard: A Ripe Good Scholar Podcast

23 EpisodesProduced by ripegoodscholarWebsite

Breaking Bard aims to break down the mythic image that has been constructed around Shakespeare by having honest conversations about Shakespeare and his plays. Feel free to contact me at


Troilus & Cressida Sources

“For now will I go straight to my matter,

In which you may the double sorrows hear

Of Troilus in loving of Criseyde,

And how that she forsook him ere she died.”

  • Troilus and Creseyde by Geoffrey Chaucer


Troilus and Cressida is one of Shakespeare’s lesser known plays, and I kind of understand why. The ending is not the most satisfying. However, Shakespeare did not come up with this story. Chaucer did. Or at least, Chaucer wrote it down. Of course, Shakespeare adapted the story for the stage, but the core elements are there.

The key difference between Shakespeare’s version and Chaucer’s is that Chaucer was making a clear statement about courtly love. The idea that loving someone brought you closer to the divine. Shakespeare’s play does not have such a clear message. In fact, by shortening the timeline and making the characters more blunt, Shakespeare seems to have an almost nihilistic view of the situation. All the mushy love stuff is stripped away and we are left with harsh reality. 

Shakespeare adapting source material is nothing new, however, this example is notable because of what changed. Today, Eli and I will be discussing Troilus and Cressida, so strap on your armor, we’re heading to Troy.



Bradbook, M.C. “What Shakespeare Did to Chaucer’s Troilus and Criseyde.” Shakespeare Quarterly, vol. 9, no. 3, 1958, pp. 311-319., doi:10.2307/2867331. Accessed April  2020.

Davis-Brown, Kris. “Shakespeare’s Use of Chaucer in ‘Troilus and Cressida’: ‘That the Will is Infinite and he Execution Confined.’” South Central Review, vol. 5, no. 2, 1988, pp. 15-34., doi:10.2307/3189567. Accessed April 2020.


Teller of Tales by Kevin MacLeod




Minstrel Guild by KevinMacLeod



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