Three decades ago, the highest honor at the Academy Awards was given to a movie about a white passenger learning to love her black chauffeur. Sunday night, the same award was given to a film about a white chauffeur learning to love his black passenger. We look at Hollywood’s obsession with fantasies of racial reconciliation. Guest: Wesley Morris, a critic at large for The New York Times and a host of the podcast “Still Processing.” For more information on today’s episode, visit nytimes.com/thedaily.
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