Step inside the confession booth of Wesley Morris and Jenna Wortham, two culture writers for The New York Times. They devour TV, movies, art, music and the internet to find the things that move them — to tears, awe and anger. Still Processing is where they try to understand the pleasures and patholo… read more
What responsibility does a movie have to the details of history? In Sofia Coppola’s new film, “The Beguiled,” a remake of Don Siegel’s 1971 psychological thriller set in the American South during the Civil War, she omits a key character from the original film: a slave woman named Hallie. Is Coppola’s omission a correction of history or an act of artistic cowardice? Speaking of history and responsibility: We take a look at “All Eyez on Me,” which tells the story of the brief but remarkable life of Tupac Shakur. At a time when the safety of black men’s lives seems dubious, is there significance in people’s refusing to accept that Tupac is truly dead?
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